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Timothy Burke's avatar

The British East India Company reference is kind of fascinating, because it almost incidentally reveals the yawning void at the heart of this kind of ethnonationalist thinking about the white family standing proudly alone, yeoman farmers breaking ground and carrying goods to market without the state. What they're editing out entirely is colonial conquest, land seizure, slavery, servility. Which explains why they react with such intensity in particular to any historical teaching that places slavery, violent conquest and land seizure back into the story right at the beginning.

It's true in a way that individual settlers went out into the frontier against the wishes of the early colonial administration, broke treaties, took land, waged 'private' war, but that's already something that the vision Vance is working off of doesn't want to discuss--that the property of these new American households was taken from people already working the land, that the markets that entrepreneurs found in the Great Lakes were among Native American societies (and Native Americans sold back to the new arrivals). But time after time, when the existing landholders finally had enough of the new arrivals pushing into land that wasn't theirs and banded together to stop them, the settlers went crying to the colonial state and demanded that it give them the force to seize what wasn't theirs. And then following, much of the time, that they have access to labor to work it in the form of slaves--or, in a pinch in the cities of the mid-Atlantic and Northeast, more newly arrived immigrants who were not in a position to go wagons-ho to the west. All of which was backstopped by government, facilitated by government, protected and extended by government.

Take the Little House books, which are kind of the ur-text of Vance's imaginary future. In this fantasy, all government ever does is make Pa Ingalls move off of Indian land right after he's made a safe little farm for his family. The reality of Pa Ingalls being a serial failure, of coming back East to be a hired hand in someone else's business, of being almost pathologically restless, and of depending utterly on two things for his family's ultimate salvation that he could never credit or acknowledge: the military conquest of the West and the building of the railroads, followed by the slow extension of bourgeois civil society from the East and the authority of municipal government. (He was only able to handle settling for good in DeSmet because the government was built up enough to handle deed recording and then because after his latest business failed, he got several jobs IN the municipal government.) The entire extended family from Ingalls' move to Wisconsin onward stayed afloat financially almost entirely off of buying cheap land (or just being given it via homesteading), proving it for a bit, and then selling it--it wasn't until Laura and Almanzo were in their 40s that they had a farm that actually provided income, which Charles Ingalls never managed. (Carrie's adult income came from her husband's job as a laborer building Mount Rushmore, which, hello! federal money.)

I think Thiel and Musk, Vance's underwriters, and their inspiration, Curtis Yarvin, have no genuine interest in this white-family Arcadia, and thus, not Vance either. He's not the second coming of Huey Long, fighting for the working man while scheming to be King. I think it's just about the votes, considering that Thiel and Musk are mostly dreaming of replacing everybody with robots except for the people Thiel needs for blood plasma injections and Musk needs to be serfs on Mars.

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